Skip to main content

Irish Poet William Butler Yeats Lectures in Boston on September 28, 1911

 Photo courtesy of the Burns Library at Boston College

Irish poet and playwright William Butler Yeats addressed an audience at the Plymouth Theatre in Boston on Thursday, September 28, 1911 on the subject, "History of the Irish National Theatre and its Purposes." 

The lecture was part of a national tour Yeats was undertaking, as managing director of Dublin's Abbey Theatre, to introduce a new literary movement taking place in Ireland that he hoped would be "the awakening of the mind of Ireland."

The Plymouth Theatre, located at Eliot Street (now Stuart) and Tremont Street, was a brand new playhouse, described as "a cozy, compact and home like-arrangement, with the seats in all parts of the house as near the stage as possible."  The Abbey players christened the new theatre with their productions.

The Irish plays on opening night included "The Shadow of the Glenn" by John M. Synge, "Birthright" by T.C. Murray, and "Hyacinth Halvey" by Lady Gregory

Yeats was introduced to the audience by George Pierce Baker, professor of dramatic literature at Harvard University, according to a Boston Globe story on September 29, 1911.

"In Ireland, we are putting upon the stage a real life where men talk picturesque and musical words and where men have often picturesque and strange characters, that is to say, the life of far away villages where an old leisurely habit of life still exists," Yeats told the audience in Boston.  "The country life has for us the further fascination that it is the only thoroughly Irish life that is left.  All our patriotic movements go back to the peasant.  We try to recreate Ireland in an Irish way by mastering what he knows and by using it to understanding what the old manuscripts contain," he said.

Yeats and Lady Gregory came to the United States to promote Ireland's new theatre movement but also to defend it against opponents who rioted in Dublin when the Playboy of the Western World by Synge was first performed.  Critics assailed the play as a slight upon the Irish character.

Yeats told reporters that 'if Ireland is to have a literature, the Irish must not resent truthful portrayals,' according to a New York Times story on October 12, 1911.

Lady Gregory said that the controversy over Synge's play was due to misunderstandings about Synge's purpose, and "to something that might be called race sensitiveness," wrote the NY Times on November 20, 1911.

When the Playboy debuted in Boston on October 16, 1911, the Boston Globe reported the play elicited 'some hisses, some cheers,' but that overall it did not cause "the excitement that some people had feared."

Yeats told the Globe he was 'very much pleased,' at the response to the opening night performance.  "I would not have been surprised if there had been more of a disturbance.  It was very mild, indeed.  I am satisfied.  I am sure that the Irish people will appreciate the play in time here," he said.

When Yeats returned to Ireland in November, he reflected on his trip.  "At Boston, the Abbey Theatre company had a flattering reception.  The more intellectual the play, the greater the success we achieved in Boston.  I attribute this to the influence of the universities," Yeats told the New York Times, in a story published on November 26, 1911. 

The Burns Library at Boston College has an extensive collection of materials on W. B. Yeats. 

Find year round information on cultural activities by visiting IrishMassachusetts.com

Comments

Popular posts from this blog

The Boston Celtics : The Story Behind Their Irish Green Theme

Bill Russell played for the Boston Celtics from 1956 to 1959 (This story was updated in March 2024) Many people wonder why the  Boston Celtics  wear shamrocks on their green uniforms and have a giant leprechaun smoking a cigar as their team logo. And why is the team mascot a guy named Lucky who looks like he stepped out of a box of Lucky Charms? According to the Boston Celtic’s official web site, the name came about in 1946 when owner Walter Brown started the team. He and his public relations guy, Howie McHugh, were throwing out potential nicknames, including the Whirlwinds, Unicorns and Olympics. It was Brown who had the epiphany, saying, “Wait, I’ve got it – the Celtics. The name has a great basketball tradition from the old Original Celtics in New York (1920s). And Boston is full of Irishman. We’ll put them in green uniforms and call them the Boston Celtics.” Red Auerbach , the now legendary coach of the early Celtics, then commissioned his brother Zang, a graphic designer i

Boston Mayors of Irish Descent, 1885-2021

(Originally published in 2013, this post was updated in 2021) Here are the Mayors of Boston Claiming Irish Heritage:  Hugh O’Brien 1885–88 Patrick Collins 1902–05 John F. Fitzgerald 1906–07, 1910–13 James M. Curley 1914–17, 1922–25, 1930–33, 1946–49 Frederick W. Mansfield 1934–37 Maurice Tobin 1938–41, 1941-44 John Kerrigan 1945 John B. Hynes 1950–59 John Collins 1960–68 Kevin H. White 1968–83 Raymond L. Flynn 1984–93 Martin J. Walsh   2014- 2021 The lineage of Boston mayors with Irish ancestry dates back to 1885, when Irish immigrant Hugh O'Brien of County Cork assumed office and became the first Irish-born mayor elected in Boston, serving four one-year terms (1885-88).   O'Brien was followed by Irish-born Patrick Collins (1902-05), also of County Cork, who died in office in 1905. He was replaced by John F. Fitzgerald, who became the first American-born mayor of Irish descent, serving two terms.  A noteworthy mayor was James

Visit these Public Memorials to John Boyle O'Reilly throughout Massachusetts

  Born 180 years ago on June 28, 1844, John Boyle O’Reilly helped shape the history or Ireland and America in the late 19th century in powerful ways. Today, O'Reilly’s stature as a seminal figure in Irish and Irish-American history is particularly evident in his beloved birthplace of Dowth, County Meath; in Freemantle, Australia where he was imprisoned; and indeed, throughout the Irish Diaspora.  O'REILLY LANDMARKS IN MASSACHUSETTS O’Reilly remains popular in Boston, New Bedford, Hull and Springfield where there is a selection of memorials and plaques, parks and city squares, library collections and Irish organizations honoring O’Reilly’s memory. In Boston, the John Boyle O’Reilly Memorial at the corner of Boylston Street and The Fens, not far from Fenway Park, was unveiled in 1896 by famed Concord sculptor Daniel French. The Memorial is part of Boston’s Irish Heritage Trail. In Charlestown, O’Reilly lived at 34 Winthrop Street, where there is a plaque in his honor. In 1988 th